T-minus 43 hours.
Oh man you guys. You guys! Oh, man. Man oh man oh man you guys! I am officially tweaking out a little about this. My life as I’ve known it is about to totally change (Hold on, I’m getting bludgeoned by the obvious cliche police). Doing this trip is way scarier than going to college. It’s funny, like, I’ve spent the past week finally nailing everything down, and for the most part, pretty much everything has fallen into place, which has only served to make it scarier, because it’s finally real! All these phone calls to Sydney and Brisbane to my lovely hosts, figuring out international calling and time differences, and public transport from Sydney to Brisbane, from Sydney to Gordon… Now that everything is finally figured out all I have left to do is freak myself out, download as much music I possibly can and pack all my shit into a few bags. And a big ol’ box for the books. Something like this, methinks:
But yeah, this is going to be scarily awesome. That’s the other nice thing about constantly freaking out about this. I did it all to myself, so it’s pretty well suited to my specifications. Which is in part, why is seems scarier than college. Starting college was both an obligation (an obligation I was happy to fulfill, but still), and a process of fitting myself into a mold created for me. This time, I made the mold. Which also means, I suppose, that if it sucks, it’s all my fault. Ah well. Way it goes…
And now it’s time for some cool stuff I found on the internet.
This animation is really really beautiful. Initially it reminded me of William Kentridge, at least the animations I saw of his at SFmoma over spring break. After watching it a few times, I guess it’s really not like his stuff at all, but I think they share sort of a fuzzy B&W aesthetic. Pretty pretty stuff.
I’m dumbfounded by this (left it on the site I found it on, because Cakehead loves evil is incredible.) I don’t understand studio lighting at all, and seeing somebody really go ambitious with it and succeed pretty well is really insane. I’m almost doubtful that those are untouched. Any photoshop pros able to tell if s/he cheated at all?
So Davye Hawk, the mastermind behind Weird Tapes/Memory Cassette/Memory Tapes (Seriously dude, I will pay you to freaking pick one) is one of my favorite discoveries of the year, and his most recent efforts, the Call and Response EP from Memory Cassette (which came out, sold out, and is now only digital) and Seek Magic, the Memory Tapes debut LP (which comes out sometime later this month [Buy It!]) are both super blissy and awesome. The Memory Cassette skews a little closer to the Weird Tapes than does the Memory Tapes–Seek Magic is super patient, frequently understated and cleaner than anything else Hawk has given us so far. It really is a distillation of all his work so far, taking his beautiful sample-based aesthetic into new territory, giving himself room to flex both his production and songcraft muscles. All very much worth a listen if you’re into ‘chillwave’ or ‘glo-fi’ or whatever the hell else people are calling this stuff.
Memory Tapes – Pink Stones (I chose this one because Bicycle and now Plain Material are both already all over the webs, and I think this one is sort of the secret jam)
Also, I’m really really obsessed with this song:
Edward Sharpe & the Magnetic Zeros – Home and I’m kinda embarrassed about it, honestly. They’re asking me to swallow a lot of cute and a lot of ripped-off aesthetic. It’s so goddamn hard to be a band that makes happy music (c’mon, look at these assholes) and pull if off without dipping into cheesy, overtrodden, cliche, they’ve already got an uphill battle going with that one, and to have that backed up with the singers apeing the sort of guy girl back and forth used best by artists like Johnny and June Carter Cash is a real tough pill to get down on. But the song is secretly rock solid, if you can get over all the smarm. It’s got an airtight melody that they’re smart enough to lean on for most of the song and the personalities are actually sort of charming. If after the first verse you find yourself wanting to stab them in the face, at least wait out the whole song, they kinda ease off the lyrical grossness as it proceeds. Also, it’s surprisingly well produced, the way the guitar and whistling is treated gives the song a vaguely darker edge, helped out by the enormous, booming chorus. They’re apparently a twelve-piece band, which is ridiculous, but I certainly wouldn’t take anything out of the chorus, and seeing this live would probably break me into little joyous pieces. They’ve got a whole album out too, but I haven’t heard it yet. You can get it on iTunes, but it’s worth going through their website for the ludicrous background it has.
(It bears mentioning that I found the song from the excellent Aquarium Drunkard mix: Weird Summer, very highly recommended)